An Ontology of Art book. By Gary P. Bagnall. Book Law as Art. Click here to navigate to parent product. Edition 1st Edition. First Published 1996. Imprint Routledge. Pages 30. eBook ISBN

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The ontology of works of art does not map neatly on to these classifications, however. In the plastic arts, a wide variety of media and structures are used. In music and drama, not all works are for performance; for instance, tape compositions and theatrical films are not. Not all works of a kind are organized at the same levels, and higher

Timothy Morton Features 10 December ArtReview. Chris Wainwright, 'Red Ice', , c-type print. Courtesy the artist. From the ArtReview archives: one of the thinkers associated with 'object-oriented ontology' argues that we've been thinking wrongly about art since the beginning of the Anthropocene. For object-oriented ontology

During the Nineties, the diffusion of information and communication technologies allowed a dramatic transformation in art practices.

ART, ONTOLOGY OF Ontology is concerned with what exists. So one may think the ontology of art is concerned with whether artworks exist.

Rejecting Goodman's distinction between autographic and allographic arts, and the dualistic ontology based upon it, the author attempts to construct a.

The Myth of (Non-Aesthetic) Artistic Value.Dominic McIver Lopes - - Philosophical Quarterly 61 (244):518-536. The Ontology of Art.Guy Rohrbaugh - - In 

Instructive surveys of the subfield of aesthetics known as the ontology of art are fairly plentiful; see Nicholas Wolterstorff (1992), Gregory Currie (1998, ), Joseph Margolis (1998), Stephen Davies (2003a), Amie Thomasson (2004, 2006b), Guy Rohrbaugh (2005), Theodore Gracyk ( ), Robert Stecker ( ), and Carl Matheson and Ben Caplan

Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting for further philosophical investigation. Ontologists of art seek to locate works of art in this wider terrain, to say where in our universe they fit in.

255 Gregory CURRIE: An Ontology of Art. London: Macmillan Press Ltd., 1989. In An Ontology of Art Gregory Currie challenges the view that a work of art is 

Ontologists offer a map of reality, one divided into such broad, overlapping territories as physical and mental, concrete and abstract, universal and particular. Such a map provides the setting

53. Proceedings of the European Society for Aesthetics, vol. 5, 2013. Page 2. Adam Andrzejewski. Artification and the Ontology of Art relationship between 

A wholly successful ontology of art works would tell us what things are art works and what things are not; failing that, it would give us identity 

Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics.

4.2 A philosophy of art: ontology and epistemology. Art analysis and art interpretation are unexplored in organisation studies. To begin this conversation, I start with a discussion on ontology and epistemology. I start with the location of 'being' and 'knowledge' since paintings have different considerations to the ontology and

The aim of this paper is to show that the ontology of artworks, as traditionally understood, may draw valuable theoretical inspiration from the latest manifestations of artistic activities which often go beyond art traditionally recognised as such by the institutional art world. Artification — that is combining art with non-art — is an example of this phenomenon. The goal is achieved in

Ontology is the study of the kinds of things there are in the world. The ontology of art considers the matter, form, and mode in which art exists.

I will argue that curated exhibitions are an ontological hybrid: a combined ontological entity. The hybrid theory maintains that a curated exhibition comprises 

May 23,  · The term ontology in information science arises from philosophy where it represents “the science of what is” (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy,

Hartmann's central thesis on the ontology of art is that works are fictions that depend upon the perceptual and imaginative activities of artists and their audiences.